It is well known that B?la Bart?k had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bart?k was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bart?k that acknowledges the composer?s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bart?k?s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer?s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bart?k felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bart?k?s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.
Additional ISBNs
9786612759369, 9781282759367, 6612759364, 1282759361
Bartok, Hungary, and the Renewal of Tradition Ebook
Case Studies in the Intersection of Modernity and Nationality
By: David E. Schneider
Publisher:
University of California Press
Print ISBN: 9780520245037, 0520245032
eText ISBN: 9780520932050, 0520932056
Edition: 1st
Pages: 319
Copyright year: 2006
Format: PDF
Available from $ 85.00 USD
SKU: 9780520932050
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